La soffitta del tempo perduto...

....è là , nella mente e nel sogno, dove è possibile recuperare le speranze e le aspettative, dove volere è potere e tutto diviene possibile, dove la fantasia e la creatività non vengono strangolate dai ritmi di una vita frenetica ed il tempo scorre lentamente, dove la mente vola libera senza restrizioni, dove finalmente si è liberi di essere e ci si può rifugiare e prendere un respiro.

The attic of the lost time....is there, in the mind and dreams, where is possible to recover the hopes and the expectations, where what you want is what you can and everything becomes possible, where fantasy and creativity are not strangled from the rhythms of a phrenetic life and time flows slowly, where the mind flyes free with no restrictions, where finally one is free of being and can refuge in and take a breath.

The Pomegranate - PDF instructions available

The Pomegranate - PDF instructions available
CLICK ON IMAGE

mercoledì 19 dicembre 2012

17th C.English Raised Embroidery reproductions: materials. Part 2 - EMBELLISHMENTS


 Very often  in 17th C. Raised Embroidery we find attached and mixed with the embroidery hard gemstones, crystals and pearls. Those where added to embellish and give realism to the different motifs.
Here you can find some useful links where you can get them if you are thinking to use some in your reproduction:

Round beads available in various kinds in a  mixed pack size:

see seller other items for more kinds.
Hard gemstone cabochon in various kinds and sizes:
http://www.manchesterminerals.co.uk/acatalog/Cabochon_Gems.html
Real Gemstone Cabochon
Freshwater seed pearls:


Glass eyes, 1-2-3 mm for animals :



2mm Glass Eyes on wire - 1 pair - Click Image to Close
1mm Glass Eyes on wire - 1 pair - Click Image to Close

giovedì 13 dicembre 2012

17th C. English Raised Embroidery reproductions: materials. Part 1 - SILK GIMPS and SILK WRAPPED PURLS

Since I have started my Raised Embroidery panel reproduction, the main problem to resolve was about what materials I should use to achieve a result that could be comparable to the historical ones.
I want to share and discuss here what I have found and where, so those who are interested can maybe save time and money.

SILK GIMPS:
those where made by wrapping a flat silk around a silk or cotton core and where widely used to outline tent stitch slips, to fill areas, stitched in knots, couched in a basket pattern or used to make the much raised needlelace parts.
To obtain this material  I made a special order to Benton & Johnson,  have choosed historical colours from Pipers silks range and sent them to Neil Halford for spinning - thank you  Neil !
Gimps are mostly used for leafs, ground and trees, so the colour range is mainly on shades of greens and browns.

SILK WRAPPED PURLS:
those where made wrapping a fine silk thread on to a copper wire, than the covered wire was wound on to a rod.
They are now again available from Benton & Johnson in the range of colours you can "try" to see in picture or you can ask for a special order if you prefer your personal colourway, just contact Neil to order them....


Wrapped purls from B&J are much finer than those made by Golden Threads for Access Commodities as you can see in this image.

I'm sorry for the photo but the big fight between me and my camera is still not ended ; have tryied to get a decent image for about half hour but no luck ! The colours are really much nicer believe me ! this is just to give you an idea...

In part two of this topic I will talk about silk threads used in 17th C.English Raised Embroidery and about modern matching silks, also interesting historical facts that I have found in my researches...soon !

giovedì 1 novembre 2012

The Pomegranate Mirror

 Here is the project that I have announced you and that I have embroidered during the last Spring and Summer time. Was for A Mirror To My Art Needleprint competition.
It is stitched on a dark cream Italian silk Duchesse, using Devere  silk floss and 2% real gold metal threads, including the surrounding three ply twist which is in real gold too.
I decided to go with real gold threads as I have given to this project a certain importance as was for the competition.
On the back of the work there is an old look mirror, mounted with the same surrounding silk gimp and fine gold twist you can see in the front.
The most difficult thing on this embroidery was working in such a small space as the whole project is not wider than 10 cm so everything needed to be in scale and also the shading effect is not easy to achieve when the size is so small.
The raised part of The Pomegranate is worked in raised stem stitch over string padding, the centre in laid silk threads and Elizabethan Twist, the outer part of the fruit, leafs and petals in long and short stitch shading and the central part of the flowers is made covering the padding with couched Elizabethan twist.
You can also see the hand drawings in shaded pencils and watercolour made to explain the project, stitches and materials; this work was inspired to the Tudor Era and also  the front writing title is hand made.
The embroidery has winned  the third prize of the Needleprint competition together with the work of another Lady.





giovedì 4 ottobre 2012

I'm back...with a bit of canvas....

So long time without posting, where time flyes ? In this months I did a lot of research, specially on Stumpwork tecniques and materials and also I realized that I like Florentine Embroidery or Bargello as you like to call it.
On this I like the endless possibilities that one has in choosing colours and threads; this one is just a simple test made in DMC 6 strand cottons on 18 ct Interlock canvas...but I'm planning to do something more elaborate and "old style" probably in Hungarian point, which is similar the difference is only in the lenght of the stitches.
 A very good book was Florentine Embroidery by Barbara Snook, it's an old book that has not many colour pictures but dozens of patterns diagrams which I found really useful.

I'm also working on a Berlin Woolwork sampler, taking motifs here and there, is stitched in Appleton wool on a 22ct Zweigart Cordova canvas, overdyed to a vintage look with Rit Tan.
 

Have also completed the project for A Mirror To My Art Needleprint competition and I'm one of the twenty finalists; if you have been reading me you should recognize my style....can you guess which is mine ????
http://needleprintmirrortomyart.blogspot.it/
I will post about after the final judgment.....Wish  me good luck ! .....

martedì 22 maggio 2012

Me, life & embroidery

When I was born, my mother was just two years younger than me that I'm now 42. At that time she was a professional dressmaker  and worked , since she was 16 old, for Gattinoni factory and after for the Atelier of Fontana Sisters.
I have a picture in my mind of a little girl child playing with her toys and watching mom stitching on a princess like dress, a bridal dress. Because of me, mother left the fashion factory and worked home as a private, impossible was to grow up a little girl and sister staying out of home.
Can still remember the line on her forehead due the attention she had on her work and the atmosphere in the room, was like if something magic was coming out from her hands. She was devoted to her work.
And I remember the history of a jewellery box, that was the container of who knows what jewel, given to my grand-grand mother by The Italian Queen Elena as payment for an embroidered velvet mantle.
The jewel was surely sold by her at the time, but the box was there to remaind that she was the personal needlelace maker  of the Queen. Who knows where throught the years that box is gone...
My way of beeing so devoted to embroidery surely comes from those origins, from the images of mother at work, from her patience, precision and great skill.
And after all I'm a self taut person. I was too young to learn from her and at the right age, she was not working anymore.
But I believe that for her working was a real fatigue and sacrifice that she didn't want to pass it to me.
Now she's 82 old and tells me: " leave that needle, go out for a walk don't stress your eyes !"
But I know she's proud of me at all ...
And I enjoy every moment that I can still have with her.
For all these reasons, for the respect that I have for my parents, I approach everything I do in my life seriously. Not just for doing, but for doing as best as I can.
Sometimes I forgot to enjoy the moment because, as my porcelain painting teacher was used to say me:
 " you are too concentrated, relax !"
But "obsession = perfection" I believe, and this way of beeing is part of me. And its also my father fault too: " Dad I had 7 vote today at school!" and he " you should take 8 next time".

That's why I can't understand things made superficially, in particular on embroidery, more on  Historical Embroidery.
There are some kind of embroidery like Jacobean, Elizabethan and Raised E. who absolutely needs to be studied  before threading a needle.
History, colours, stitches, origin of patterns. The eyes of who decides to embarque in one of this adventure  must have seen, not only watched, many of the old works; one should have the style in mind before commencing a project.
Materials too should be appropriated when still available, or substituded as best as possible when not.
And this means RESEARCH. In deep.
Means a lot of hours on the Web, means talking with others to share experiences and informations, means a lot of books.
There is a sort of responsibility when one describes on the Web a own project, for example, as "Elizabethan bag" because if materials, stitches and patterns are not appropriated, this person is giving a wrong information to someone reading.
Best would be to say: " Elizabethan bag style " or "inspired".
Making a real Elizabethan bag needs a lot know  about, a lot of practice on.
And this again means RESEARCH.
A piece of linen and some silk threads alone doesn't make a real Elizabethan bag.
This is just an example but same is for Jacobean and Raised Embroidery.
A different approach will only give the result in the years, to loose the traditions of those  embroidery styles leaving only bad copies.
And the responsibility is much more if one has a Blog or a Website; the risk of passing false  informations
is increased, specially when the making process is shown.
One should be absolutely sure that the work is made in the correct way because surely there is a reader that is trying to learn something.
If the intent is to embroidery just for fun, and this is of course a good thing, one should have care of what writes and understand the difference that is evident between spending some free time and making a work that has an historical sense.
If not, I believe is better to don't appeal as Jacobean, Elizabethan or Raised E. because those words have a great history behind that must be preserved and not confused or loosed.
Someone will probably think I'm exagerate but please remind that my my words comes from the respect that some forms of art should merit now and trought the time.




giovedì 19 aprile 2012

Mickey wants to stitch!

This is what happens when a cat is near a spool, he wants to play with it of course.
No, no my dear this stuff is not for you !

He is looking to a selection of Devere silks, 06 thread that I received recently.
This is the silk I was looking for in the last years to make historical embroidery; its a beautiful shining floss nearly flat, just a minimum invisible twist, 120 denier so a very fine one and is perfect to make long and short stitch and all the other historical stitches, just use one or more strands depending on what one is doing so a really versatile thread.
Of course it can be used for any other kind of embroidery.
Its a filament silk but the great thing is that this material catches on hands just a bit so is an easy floss to work with and makes no knots or fuzz at all, also when a longer lenght is used.
One can go crazy with other brand of filament silks, believe me !
Each spool is plastic packed.
The price too is great, 200 meters for £ 2,00. The range of colours is just enought and most of them are "historical shades" so I can say I'm really happy with it ! and I know I will buy more...

Actually I'm stitching with this silks a "secret project" for A mirror to my heart, the Needleprint competition but you must be patient untill the winner will be selected in October so I could show you my finished work..... wish me good luck.

Here is the online store:http://www.devereyarns.co.uk/



lunedì 16 aprile 2012

A little finish

Haven't done so much in the last weeks, time is always my enemy, but I could start and finish The Pansy Heart a canvas work kit by Sue Hawkins.
It's my first canvas, nothing special just a simple work easy to stitch, made with the intent to calm my mind; no difficult threads to use, no complicate stitches to made, only coloured cotton floss and a up and down needle going throught the canvas.
Still have to sew it as a little heart shape cushion.


I also started a Berlin Woolwork sampler, taken from the book Marquoirs d'Allemagne.
I have overdyed the Zweigart 22ct Cordova etamine and made my own conversion for the threads; the chart calls for AVAS silks on linen but I can't imagine a Berlin sampler stitched in silk so I changed with Appleton Crewel and some Medici wool....much better ! and with an historical sense.

And a new stand, built with the help of my husband that sometimes is patient enough to support the crazy ideas of a maniac stitcher.
Have named it Totem, it's a mix of various elements seen here and there in other stands available on the market; I wanted something really stable and firm, so something heavy ! and versatile to the various kind of embroidery. It can support professional slate frames and also hoops, the sizes are no more a problem.
And after the money spent for the Lowery workstand and the Edmunds floorstand I said: "do it yourself ! " with a strong beech wood and oly 50 €.






Something beautiful

What human hands can do ?
Here you can see two incredible tablecloth entirely hand stitched in Burano lace on ivory linen; this is a tipical kind of embroidery coming from Venice.
Those are a century old and came out from a chest from my husband's family.
The conservation status is perfect, probably have been used just few times, aren't incredible ?

The rectangular one.










The round one.











Here you can see others greats objects, seems me they are called "puzzle ball" in English, but the original name should be "sphere of life".

Are made of ivory, all hand carved from a Chinese artisan one century ago.

Makes me crazy trying to understand how was possible to obtain twelve thiny spheres one into the other from a single monolith of ivory, each one is separate to the other and can rotate freely....fantastic !

But let me say I'm glad ivory is restricted now.